In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.” To learn more about Damien Hirst and see other available artworks, please visit our website.īritish artist Damien Hirst is widely considered the enfant terrible of contemporary art. Damien Hirst continues to work and create art in the present day, with his recent focus primarily on paintings. Damien Hirst's impact on the art world has had a similar effect to that of the contemporary masters before him, with similarities to be drawn from the monumental pop art work of Andy Warhol, the street-art sensation installation master Keith Haring, the expressive and vibrant paintings of Jean-Michel Basquiat, and innovative approach of Marcel Duchamp. Since 1987, there have been over 80 solo Damien Hirst exhibitions that have taken place worldwide and his work has been included in over 260 group shows. Hirst is well recognized for his spot paintings, medicine cabinet motifs, brightly colored spin paintings, kaleidoscopic butterflies, large-scale sculptural installations and diamond-encrusted skulls. Known best for his use of symbols, the 'Universal Triggers' utilized throughout his career have instant relatability in connection with universal questions about life, death, love and everything in between. Hirst later won the Turner Prize in 1995 for the work, 'Mother and Child Divided'. As a result of the show, Hirst was nominated for that year's Turner Prize. Among the works exhibited was 'The Physical Impossibility of Death in the Mind of Someone Living' (1991), a shark submerged in a formaldehyde vitrine, which became an overnight global sensation. In 1991, Charles Saatchi, offering to fund Hirst’s artwork, mounted the first Young British Artists (YBA) exhibition at the Saatchi Gallery in London. 'Freeze', which exhibited Hirst’s first spot paintings, launched Hirst and 15 of his fellow students to fame, making their place in art history. While at Goldsmiths, Hirst organized the independent student exhibition 'Freeze', which has become legendary as the originating moment of the Young British Artists (YBAs). In 1984, he moved to London, where he worked in construction before enrolling at Goldsmiths University of London, in 1986 to study fine art. Hirst was born in Bristol in 1965 and grew up in Leeds, England. His varied practice, which includes installation, sculpture, painting, and drawing, explores the complex relationships between life, death, art, religion, and science. The shimmering fine art print is signed and numbered by the Artist in pencil on the lower front and arrives ready-to-install, framed in custom made minimalist white and finished with museum caliber UV protective non-glare glass.ĭamien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. The butterfly has been an integral symbol to the contemporary Artist's work as it has been dubbed by Hirst a 'Universal Trigger' that transcends language, time and trend. Inspired by these interpretations, Hirst uses his signature butterfly motif in a spiritual manner, displaying ethereal beauty of fleeting mortality. The symbolism of the butterfly dates back to the ancient Greeks, depicting the Psyche, the soul, and later in Christian imagery, signifying the resurrection. ![]() Hirst took inspiration from a Victorian Tea-tray he had found at an antique shop when starting the Kaleidoscope series. 'Mantra' displays hundreds of perfectly aligned butterfly wings in a stunning circular geometric mandala pattern, reminiscent of the stained glass windows in Gothic architecture. ![]() The blue chip artwork is of an exceptionally limited edition, it is one of only fifty in existence. ![]() The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust and is the largest print ever created by Hirst in his career to date. About The grand ‘Mantra' butterfly wing kaleidoscope mandala with diamond dust by contemporary master artist, Damien Hirst, was created in 2011.
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